Fiction is Rebellion. A ritual. A resurrection.
The world of D.G. All strum is not written for comfort, but for truth
About D.G Allstrum
D.G. Allstrum is not a trained novelist—he is a survivor. Raised in the wreckage of violence, abandonment, and silence, his life has been shaped by profound trauma and disability. Living with epilepsy and memories of childhood abuse, domestic violence, and religious indoctrination, he turned to storytelling not for acclaim, but to endure.
A filmmaker and screenwriter by trade, Allstrum writes fiction as rebellion, ritual, and resurrection. His debut novel, The Amazonian Vampire, began as a screenplay and evolved into a raw gothic testament of mythic resistance. His work fuses feminist and queer liberation, trauma theology, and the power of the unsilenced voice.
For Allstrum, fiction is not escape—it is survival
The Allstrum Mythology
At the core of D.G. Allstrum’s work is The Allstrum Mythology—a bold reimagining of femininity, monstrosity, and power. His novels, The Amazonian Vampire and The Book of Lilith, form a darkly immersive universe where divine rage, erotic horror, and feminist rebellion converge.
In this world, monsters are not villains—they are mothers, lovers, and gods. The apocalypse is not an ending but a refusal to ask for permission. His vision expands beyond novels, toward film and experimental art, weaving a tapestry where horror becomes scripture and silence is shattered
Books Collection
The Amazonian Vampire
The Book of Lilith
Coming Soon
The Amazonian Vampire
A Theological Gothic Trauma Horror Novel
In the jungles of 1896 Brazil and the cathedrals of 18th-century Paris, Camille Monfort rises again—not to haunt, but to reclaim. A soprano, a revenant, a myth, she carries the voices of forgotten daughters erased by doctrine. As a journalist haunted by dreams chases her shadow through time, what emerges is not a vampire tale, but a scripture written in blood, violins, and refusal.
The Amazonian Vampire is a ritual, a gothic resurrection of Lilith, and a feminist fable of sacred rebellion.
In this world, monsters are not villains—they are mothers, lovers, and gods. The apocalypse is not an ending but a refusal to ask for permission. His vision expands beyond novels, toward film and experimental art, weaving a tapestry where horror becomes scripture and silence is shattered